荒島余生觀后感范文精選
荒島余生觀后感(The Impression Of Cast Away)
Tom Hanks does a superb job of carrying Cast Away all by himself for about two-thirds of its running time, but isn't much helped by additional characters in the opening and closing sequences. Here is a strong and simple story surrounded by needless complications, and flawed by a last act that first disappoints us and then ends on a note of forced whimsy.
Hanks plays Chuck Noland, a time-obsessed Federal Express executive who troubleshoots all over the world, arranging hurry-up package transfers in Moscow before flying off to solve problems in Asia. Helen Hunt plays his fiancee, Kelly Frears, who tries her best to accept a man ruled by a beeper. She comes from clock-watching stock, and for Christmas gives Chuck her grandfather's railroad watch.
Noland hitches a ride on a FedEx flight across the Pacific, which is blown off course before crashing after an onboard explosion. That seems like two catastrophes when one would have done, but director Bob Zemeckis uses the storm for scenes of in-flight fear, wisely following Alfred Hitchcock's observation that from a suspense point of view, an explosion is over before you get your money's worth.
Spoiler alert: If you have not seen ads for the movie, read no further.
Noland survives the crash, and floats in a life raft to a deserted island. And . . . am I telling too much of the story? I doubt it, since the trailers and commercials for this movie single-mindedly reveal as much of the plot as they can, spoiling any possible suspense. Not only do they tell you he gets off the island, they tell you what happens then. What am I to do? Pretend you haven't seen the ad, or discuss what we all know happens? The early scenes are essentially busy work. Exotic locales like Moscow add a little interest to details about Noland's job. An airport farewell to the fiancee is obligatory, including the inevitable reassurances about how Chuck will be right back and they'll have a wonderful New Year's Eve. Then the crash.
The movie's power and effect center on the island. Chuck, the time-and-motion man, finds himself in a world without clocks, schedules, or much of a future. There's something wonderfully pathetic about the way he shouts Hello? Anybody? at the sand and trees. Those are his last words for a time, as he tries to remember childhood lessons about firemaking and shelter construction. Then there's a four-year flash-forward and we see the formerly plump Chuck as a gaunt, skinny survivor. (Zemeckis shut down the movie while Hanks lost weight.) I find it fascinating when a movie just watches somebody doing something. Actual work is more interesting than most plots. Chuck splits coconuts, traps fish, builds fires, and makes use of the contents of several FedEx boxes that washed up with him (too bad nobody was mailing K-rations). And he paints a face on a volleyball and names it Wilson--a device which, not incidentally, gives him an excuse for talking out loud.
Hanks proves here again what an effective actor he is, never straining for an effect, always persuasive even in this unlikely situation, winning our sympathy with his eyes and his body language when there's no one else on the screen.
I liked every scene on the island and wanted more of them. There's a lovely moment when he squats on the ground, contemplating a crate that has washed up, and the shot is composed as homage to 2001: A Space Odyssey, Hanks' favorite film. I also liked the details of his escape.
荒島余生觀后感(The Impression Of Cast Away)
Read the British writer Defoe's, I deeply, the harvest is great.
The rest of the island is book of Robinson Crusoe extract. In front of the various difficulties faced in severe test, in the face of the isolated, lonely, Crusoe adjust good attitude, to survive in the desert island and put a lot of effort, the myth of life on the island in the 28 years.
Crusoe while it's a character in fiction, but his deeds to countless generations became afraid of difficulties and setbacks life of strong, for they lay a good career achievement.
If we want to do in life, become the motherland, we must learn from the pillar of life and learning treat correctly and difficulties, develop pragmatic capable, love is the habit of labor, the achievement of life, is fundamental to achieve the ideal goal of guarantee.
Recall the 5000 years, how many bits are of great achievement is not like Robinson with celebrity positive attitude to face setbacks, for their goals in life and struggle? As spring end has promoted WoXinChangDan fourteen years, finally to avenge, destroyed wu, become the yangtze-huaihe region. And the founding emperor zhu yuanzhang Ming, early suffered terribly, his parents and brother were ill, he became an orphan. He had eaten grass-roots, fern bark, huang temple as a monk, sleep in the difficulties and setbacks to his head to the adversity of strong, he is still living, later attended the yuan farmers insurgents, departments, and later became red army commander, fabric (1368 mansion in nanjing, the Ming dynasty.
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荒島余生觀后感范文精選
